AUDIENCE AND SOCIAL ENVIRONMENT: THE CONCEPTS OF "IN-GROUP" (UCHI) AND "OUT-GROUP" (SOTO) IN THE JAPANESE LANGUAGE
Опубликован 27.10.2026
Ключевые слова
- Uchi-Soto, In-Group, Out-Group, Keigo, Japanese Pragmatics, Sociolinguistics, Honorifics, Deixis, Social Distance, Linguistic Relativity.
Как цитировать
Аннотация
The fundamental division of human relationships into "In-group" (Uchi, 内) and "Out-group" (Soto, 外) serves as a primary organizing mechanism within the socio-pragmatic framework of the Japanese language. Unlike Western linguistic systems, where politeness and register are largely dictated by relative social status, age, or immediate institutional authority, Japanese communication incorporates a dynamic, situational boundary that redefines identity based on audience and social context. This article investigates the structural and pragmatic manifestations of Uchi and Soto across Japanese discourse. It explores how the demarcation between the internal self/group and the external entity directly governs the deployment of honorific language (Keigo, 敬語), including respectful (Kenjougo, 謙譲語) and humble (Sonkeigo, 尊敬語) forms, as well as deictic verbs of giving and receiving (Yaru/Ageru, Kureru, Morau).
The paper further analyzes the contextual fluidity of these boundaries, illustrating how individuals dynamically shift their Uchi orientation across micro-social spheres (such as the nuclear family or immediate peer group) to macro-social structures (such as corporations, academic institutions, or the nation state) depending on the targeted audience. By evaluating sociolinguistic models and empirical discourse studies, the paper highlights how Uchi and Soto operate not as rigid sociological taxonomies, but as flexible cognitive scripts that preserve group harmony (Wa, 和) and negotiate interpersonal distance. Understanding this duality is essential for grasping the interdependence of Japanese cultural identity, pragmatic competence, and verbal interaction in contemporary societal settings.
Библиографические ссылки
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